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Shortly after the item appeared, Helen sent off a letter to the editors, cutely correcting their report. "Helen Gurley Brown of Cosmopolitan magazine reportedly has a collection of photos of celebrities posing in the nude," WWD announced in "Eye" that January. It was a story made for gossip columns: As early as 1970, Women's Wear Daily caught a whiff of the latest Cosmo happening, and it had all the makings of a scandal. A clever takeoff." - Hugh Hefner on Burt Reynolds's nude centerfold in Cosmo Regrets or no regrets, the image is here to stay, even resurfacing as marketing inspiration for Ryan Reynolds' new film, Deadpool. It wasn't until after a succession of noes from Hollywood's leading men at the time did she turned her attention to Reynolds, an up-and-coming actor, about to break into film with Deliverance. I said, 'Yeah, I will.'"īut as Hauser reveals in the new book, From Enter Helen: The Invention of Helen Gurley Brown and the Rise of the Modern Single Woman, Reynolds wasn't even Brown's first choice. "Probably, knowing me, it was like, 'You won't do that, you chicken,' or something and I went, 'Well, that's all I had to hear,' of course. "I don't know what I was thinking," Reynolds added. Now 80, Reynolds regrets posing nude, telling an audience at SXSW, where he was promoting the new documentary, The Bandit: "It was really stupid." MORE: Burt Reynolds Talks Dark Period After Sally Field Breakup and Combating AIDS Rumors The issue, which sold out at the time, helped make the actor an international icon - and gave women their own pinup to admire. She helped ladies own their sexual desires, and most famously focused the female gaze on Reynolds. In fact, it was in the April 1972 issue, during Helen Gurley Brown's era at the magazine.Īs editor-in-chief of Cosmo for 32 years, Brown was pivotal in transforming the magazine from a women's publication written by men to an international outlet for women by women.
Burt reynolds smokey and the bandit nude pose movie#
The drive-in movie audience Reynolds said he most valued: “the guys who show up in pickup trucks.Once upon a time, Burt Reynolds posed nude for Cosmopolitan magazine. Going all the way back to his regular role on TV’s “Gunsmoke” in the ’60s, Reynolds made projects to delight regular people. Twenty-six years later, Reynolds received his first and only Oscar nomination, for “Boogie Nights.” He didn’t win, but it mattered little. Despite cementing his status as a heartthrob, appearing in the buff elicited snickers in Tinseltown. But the movie’s release date was beaten by a famous 1972 Cosmo spread in which Reynolds posed nude.
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The actor believed “Deliverance” would finally get him credit for the caliber of his acting. Roger Ebert reduced his now-famous turn in “Deliverance” to “macho” and “finely tuned.” The Los Angeles Times called his performance in “Smokey and the Bandit,” one of the highest-grossing films of 1977, merely “pleasant to be around.” While audiences loved Reynolds for it, critics were indifferent. Burt.Īs evidenced by his choice in projects, the guy had a disarming sense of humor about himself that his contemporaries such as Al Pacino and Jack Nicholson wouldn’t acquire for decades.īurt Reynolds, 'Smokey and the Bandit' actor, dead at 82 He sang a boudoir duet with Dolly Parton as a sheriff in “The Best Little Whorehouse in Texas” and he played a sleazy ’70s porn producer in “Boogie Nights.”Ī personal favorite of mine was his role as an eccentric numerologist on “The X-Files” aptly named Mr. Reynolds moved easily from broad comedies to artful dramas.
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“If you consider that he went from ‘Deliverance’ to ‘Smokey and the Bandit’ - who is it that’s doing that today? He had a kind of versatility that’s pretty remarkable.” “Here’s the bottom line: The guy was an icon the likes of which I think we don’t have today in Hollywood,” said producer Donna Gigliotti. He was proudly and unapologetically Burt. He was never polished or boring, predictable or pretentious. Reynolds, who died on Thursday at age 82, was self-regarding, self-deprecating and self-aware. “I was Number One at the box office five years in a row, which I don’t think anybody has done since,” the movie star bragged in his 2015 memoir, “ But Enough About Me.” “In 1978, I had four movies at once playing nationwide. 'The Gray Man' review: Big-budget boringness from Netflixīurt Reynolds was Hollywood’s populist hero. 'The Kite Runner' Broadway review: Gripping stage adaptation of bestseller 'Thirteen Lives' review: Ho-hum Thai cave rescue film needs a hero Novak's Texas murder film tries to do too muchįrom Lea Michele to James Franco: The Great Un-Canceling is upon us